Joan, Mrs. Tomolillo, and Philomena Guinea

I was flipping through The Bell Jar, skimming scenes and trying to get my brain to cooperate and come up with an idea for a blog post, when I came across the scene where Esther watched a woman give birth. The woman's name is mentioned maybe two or three times in the entire scene - Mrs. Tomolillo. But that kind of sounds familiar, doesn't it? I did a bit more flipping, and realized that Mrs. Tomolillo is also the name of the woman who had shared a room with Esther in the asylum, and who Esther thought had been imitating her mother. She had apparently been sent to the asylum due to her mother-in-law, saying "My tongue stuck out of my head, I couldn't stop it" (176).

This isn't the only time a seemingly throwaway character from earlier in the book later shows up after Esther's suicide attempt, either in an asylum with her or being revealed to have spent time in an asylum before. There's the obvious one, Joan, who is mentioned for all of a half a page earlier in the book as a kind of "rival" for Buddy's affections, and who later has a rather large presence in Esther's life while she's in her last mental hospital. Joan had  There's also the famous novelist Philomena Guinea, who is mentioned for about a page as having given Esther a scholarship after Esther had reached out to her. Later, Philomena Guinea is the one to get Esther out of the first mental hospital and pay for her stay in the one with Dr. Nolan. She's mentioned as having "interested herself in [Esther's] case and that at one time, at the peak of her career, she had been in an asylum as well" (184-185). 

All of these women had, at some point, ended up in a mental asylum, with what seems like a range of severity and "causes". We don't know much about Philomena Guinea's case, but I'd assume it might be something more similar in severity to Esther and Joan's cases than Mrs. Tomolillo. Either way, it kind of goes to show just how present and wide reaching these mental health issues can be, and how it can happen to anyone, like how Esther says the bell jar hangs over everyone, just waiting to descend. 

What's more, Joan, Mrs. Tomolillo, and Philomena Guinea all can be seen as representing possible versions of Esther, or possible versions that society is trying to make of her into. Joan is who Esther was right before the bell jar - a hard-working, ambitious college student. Mrs. Tomolillo is the mother, the traditional view of femininity and a woman's role, and who Esther kind of puts herself in the shoes of for a bit, contemplating what she'd be like if she were the one giving birth.  Philomena Guinea is the successful career woman, famous for her writing (albeit with novels, rather than poetry). All three are show routes of life that Esther has already travelled or might someday travel, and all three of them had ended up "under the bell jar" at some point (although it feels kind of awkward and presumptuous to apply this word to Mrs. Tomolillo, since her mental issues seem vastly different from Esther's, but the idea of these issues being able to descend or strike at any moment is kind of what I'm getting at).

I'm not 100% certain where I'm going with this post, it was just something I found very strange and interesting. I don't think Plath just randomly decided to include these characters when she did and how she did, especially in the case of Mrs. Tomolillo, and it's something I want to think on more. Of course, this could just be a massive reach and not really mean anything, but it was kind of nagging at me so I decided to write about it :)

Comments

  1. I agree, and definitely don't think Sylvia Plath did this on accident. Esther, Joan, Mrs. T and Philomena could represent different aspects of Esther's identity. Interestingly enough, I think all three of these characters represent some degree of adherence to society: Joan is a determined student that Buddy more or less called 'subservient, ' Mrs. T represents the pressure of motherhood placed on young women, and Philomena is the successful writer that Esther initially hoped to become... and yet they all ended up institutionalized. I think that in some capacity, Plath is recognizing that no matter how long she followed society's expectations, her mental health struggles would have been kind of inevitable and will always be.

    ReplyDelete
  2. I really like your connection with Esther and these three characters. I see bits of her in all of them and I'm also really impressed by your incorporation of the "bell jar" into the post. Her distortion of these individuals, rather than attacking them, is an attack on herself. This makes a lot of sense considering her depression. And like Joanna said in her earlier comment, Sylvia Plath realized that as long as she tried to satisfy society's expectations, she would never be able to lift the jar.

    ReplyDelete
  3. I would say not just representing Esther but women on a whole. These problems don't discriminate. These women are affected at various walks of life and all wind up in this hospital. I do think you are on to something though. I did not remember any of those characters from earlier in the novel. Plath introduced the characters long before we even realized it. I think the birth scene of Tomolillo stands out to me because that was a very important scene for Esther but I did not even know who was giving birth.

    ReplyDelete
  4. Wow, I did not notice those connections! I think that is super interesting, and it seems to me like Plath was making a point about how prevalent and diverse mental illness is, and how the same woman who thought she was completely alone in her thoughts and illness, ends up surrounded by women in the same situation.

    ReplyDelete
  5. I really wish we'd had time to dig deeply into that hospital-birth scene with Buddy, because it's crucial foundation to many of Esther's views about gender and the medical profession--she has epiphanies about the treatment of women in 1950s medicine (which is an exclusively male realm, even around childbirth). There's a LOT to say about that scene and the realizations Esther makes during it. But it isn't actually clear necessarily that the "Mrs. Tomallilo" in this earlier chapter is the "same" person who is later in the institution: the first time, she says the name sounds "something like" Tomalillo, and she later seems to overhear the name "Mrs. Tomalillo" in the hospital. In both cases, it seems like Esther is imposing a rough estimate of the name on the character (just as her names for characters seems deliberately artificial and caricatured at times, like Buddy, Dodo, Philomena).

    But whether or not this actually IS the "same" woman in both scenes, I think your observations are spot on because Esther perceives this implied connection between them: the implication is something like the brainwashing drug that the "men" administer to the birthing mother leads to insanity that lands her in a mental institution. This sure fits with Esther's general views on childbirth and motherhood, which are largely influenced by that birthing scene. Maybe she is projecting this name onto two different women, but the fact that she does so suggests that she sees a link between them,

    ReplyDelete

Post a Comment

Popular Posts